Date:1604
Medium:Oil on canvas
Dimensions:Unframed:
68 1/4 × 52 1/2 × 1 1/2 inches (173.36 × 133.35 × 3.81 cm)
Credit Line:Purchase: William Rockhill Nelson Trust
Medium Oil and tempera on canvas
Dimensions Unframed: 39 3/8 × 52 15/16 inches (100 × 134.5 cm)
111 pounds
Classification Paintings
Department European Painting
Credit
Gift of the Kresge Foundation and Mrs. Edsel B. Ford
Despite his success in Naples, after only a few months in the city Caravaggio left for Malta, the headquarters of the Knights of Malta. Fabrizio Sforza Colonna, Costanza's son, was a Knight of Malta and general of the Order's galleys. He appears to have facilitated Caravaggio's arrival on the island in 1607 (and his escape the next year). Caravaggio presumably hoped that the patronage of Alof de Wignacourt, Grand Master of the Knights of Saint John, could help him secure a pardon for Tomassoni's death. Wignacourt was so impressed at having the famous artist as official painter to the Order that he inducted him as a Knight, and the early biographer Bellori records that the artist was well pleased with his success
Major works from his Malta period include the Beheading of Saint John the Baptist, his largest ever work, and the only painting to which he put his signature, Saint Jerome Writing (both housed in Saint John's Co-Cathedral, Valletta, Malta) and a Portrait of Alof de Wignacourt and his Page, as well as portraits of other leading Knights. According to Andrea Pomella, The Beheading of Saint John the Baptist is widely considered "one of the most important works in Western painting." Completed in 1608, the painting had been commissioned by the Knights of Malta as an altarpiece and measuring 370 by 520 centimetres (145 in × 205 in) was the largest altarpiece Caravaggio painted. It still hangs in St. John's Co-Cathedral, for which it was commissioned and where Caravaggio himself was inducted and briefly served as a knight.
Yet, by late August 1608, he was arrested and imprisoned, likely the result of yet another brawl, this time with an aristocratic knight, during which the door of a house was battered down and the knight seriously wounded. Caravaggio was imprisoned by the Knights at Valletta, but he managed to escape. By December, he had been expelled from the Order "as a foul and rotten member", a formal phrase used in all such cases.
The Beheading of Saint John the Baptist |
Courtesy of The St. John’s Co-Cathedral Foundation, Malta ©
Saint Jerome Writing | Courtesy of The St. John’s Co-Cathedral Foundation ©
Portrait of Grand Master Alof de Wignacourt | Public domain via Wikimedia Commons
Caravaggio was a master Italian painter, father of the Baroque style, who led a tumultuous life that was cut short his by his fighting and brawling. As a child and art student, he trained in Milan under a teacher who had been taught by the great Italian painter Titian himself, and who exposed him to the great works of Leonardo de Vinci and the Lombard artists. He moved to Rome in 1592, after certain quarrels resulted in the wounding of a police officer. Rome at the time was in a period if great expansion, and the many churches and palaces being built were all in need of paintings to decorate the walls. Caravaggio also moved to Rome during the Counter-Reformation, in which the Roman Catholic Church tried to stem the rising tide of Protestantism, and was commissioning many works to elevate the social status of the Church.
He arrived in Rome starving and destitute, and immediately began working for Giuseppe Cesari, the favorite painter of the Pope, and throughout the end of the 16th century his reputation as a great painter grew. His big break came in 1599, when he was commissioned to paint the Contarelli Chapel in Rome, which was finished in 1600. after which he began receiving many commissions, both public and private. Some of his works, being controversial in subject matter (his unacceptably vulgar realistic style) and models (one of his favorite models for the Virgin Mary was a prostitute), and some of his works were returned to be painted over or fixed. Others were returned entirely, but Caravaggio always had a public willing to snatch up any painting he produced.
As a street brawler, his police records and court proceedings fill many pages. In 1606, he killed a young man in a street fight and fled to Naples, where he was protected by the Colonna family. In 1608, he was arrested and put in jail for another brawl in Naples, but he managed to escape. In his flight from the law, he traveled through Milan, Syracuse, Sicily, Palermo, Malta, and Messina, continually receiving commissions. He returned to Naples to live with the Colonna family and seek a pardon from the Pope, and in 1606, an assassination attempt was made of his life, leaving his face permanently disfigured.
In the summer of 1610, he took a boat from Naples to Rome, along with three paintings as an offering of peace, seeking a pardon from the Pope. He never arrived at his destination, having mysteriously died along the way. Although his artistic technique fathered the Baroque style, he was quickly forgotten after his death. It was not until the 1920’s that his body of work began to be fully received and appreciated.
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